[etgub] Download Faber Serif Pro fonts from ingoFonts

Designed by Ingo Zimmerman, Faber Serif Pro is a serif font family. This typeface has ten styles and was published by ingoFonts.

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Faber Serif is the Roman typeface which was born out of the sans serif design Faber Sans. The proportions are nearly identical to those of Faber Sans.

In comparison, Faber Serif has heavy — although very short — serifs. The character of contrasting strokes is not very pronounced; therefore, this font is closely related to the first Roman typefaces from the 15th century. The Kursiv (Italic) also has very reserved serifs, which are quite appealing to modern reading habits.

Several OpenType-Features are included in Faber Sans, which can be turned on and off as required:
• Stylistic Alternates: replaces the letters a, g, l by the alternate glyph, also in ligatures.
• Ligatures: replaces the letter combinations fi, fl, ff, ffi, ffl, ft, tt, Th with the corresponding ligature.
• Discretionary Ligatures: replaces ch, ck, mm with the appropriate ligature and SS with capital-ß.
• Tabular Figures: replaces proportional standard figures with tabular non-proportional figures.
• Medieval Figures: replaces standard figures with medieval figures, which have ascenders and descenders like the lowercase letters.
• Fractions: replaces the glyph combinations 1/2, 1/3, 1/4 etc. with the according fractions.
• Slashed Zero: replaces the normal »open« 0 with a slashed zero.
• Small Caps: replaces uppercase letters with small capitals at the optical height of x.
• Historical Forms: replaces s with „long s“.
• Stylistic Set 1: replaces the numbers 1 through 20 with circled numbers.
• Stylistic Set 2: replaces the standard figures 1 through 20 with negative circled numbers.
• Stylistic Set 3: replaces the »two-story« a with the »round« alternate.
• Stylistic Set 4: replaces the »straight« l with the alternate form »with a hook«.
• Stylistic Set 5: replaces the »two-story« g with the »round« alternate 

Faber Serif perfectly matches with Faber Sans!

Faber Serif Pro

Legal Brief JNL fonts from Jeff Levine Fonts - (bklpw)

Designed by Jeff Levine, Legal Brief JNL is a display serif and serif font family. This typeface has two styles and was published by Jeff Levine Fonts . Legal Brief JNL The bold serif hand lettering found in the title and credits of the 1961 film “Judgement at Nuremberg” inspired Legal Brief JNL , which is available in both regular and oblique versions. Legal Brief JNL Download Now View Gallery

[zjigx] Download Nouveau Calendar JNL fonts from Jeff Levine Fonts

Designed by Jeff Levine, Nouveau Calendar JNL is an art nouveau font family. This typeface has two styles and was published by Jeff Levine Fonts . Nouveau Calendar JNL Inspired by the lettering on Koloman Moser’s poster design for Fromme’s Calendar (circa 1912), Nouveau Calendar JNL is available in both regular and oblique versions. According to Wikipedia: “Koloman Moser (30 March 1868 – 18 October 1918) was an Austrian artist who exerted considerable influence on twentieth-century graphic art and one of the foremost artists of the Vienna Secession movement and a co-founder of Wiener Werkstätte. Moser designed a wide array of art works, including books and graphic works from postage stamps to magazine vignettes; fashion; stained glass windows, porcelains and ceramics, blown glass, tableware, silver, jewelry, and furniture.” Nouveau Calendar JNL Download Now View Gallery

[bgnca] Download Broadside Text fonts from Device

Designed by Rian Hughes, Broadside Text is a sans serif font family. This typeface has fourteen styles and was published by Device . Download Now Server 1 Download Now Server 2 Download Now Server 3 Broadside Text is a companion to Broadside, and is optimised for use at smaller sizes. More open counters, more generous letter-spacing and additional fractions increase legibility. The original Broadside family is suitable for headlines and larger sizes, and also comes with condensed and extended versions. Broadside is a versatile, authoritative and functional family inspired by the sans serifs seen on ’40s and ’50s patriotic posters and period advertising. It is available in seven weights across condensed, normal and extended widths, each with reweighed italics. The type from this period was very often hand-drawn, and so differs considerably from poster to poster. Many American examples of this period use a Photo-Lettering style called Murray Hill and its derivatives, although their U...

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